Hello Class,
I am leaving this post to you to remind you of the activities you have to do while we don't have classes. So for monday you have to:
- You have to write a reply to the ad on page 12 of your handout. Write a formal letter of about 200-250 words where you ask and answer to all the underlined points in the activity. Take into consideration who you are writing to and the type of vocabulary you will use.
- Write a set of ads for a Newspaper. You are moving to a smaller appartment so you are selling three (3) objects and buying two (2).
Take into consideration the examples we used in class. You will have to read them in class.
Hope you have a great week,
Carolina Yancovic
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Wednesday, 28 March 2012
Language 9 Study Questions
To help to understand your stories better, I am leaving here some study questions that we will be working in class.

The night face up by Julio Cortazar:

The night face up by Julio Cortazar:
1. What sensations and/or symptoms experience the motocyclist and the protagonist of dream sequences, moteca (the Indian)?
2. What are the links and similarities between the motocyclist and the moteca? Why were these—and not other—characters chosen to explore the given situation?
3. What is the relation in this narrative between the dreams and reality? Who is dreaming? Who is real?
4. How is this narrative structured? How does this structure accommodate the development of the story?
5. Does the epigraph relate to both planes of the story or only to the dream part?
6. What is this story about?
1. Discuss the manipulative nature of the women in this story.
2. What is Joyce’s attitude to marriage in this story?
3. Are Mr. Doran and Polly well suited?
4. What are the main themes in this story?
5. What is the relationship between mother and daughter?
6. How does religion figure in this story?
Monday, 26 March 2012
Language 5: Activities to do during Semana Mechona
Hello Students,
As some of you told me today in class, we wont have classes this Wednesday, thursday and friday because of Semana Mechona. So you will have to work on your on the following activities.
1. Read chapters 6-12 of The hunger Games by Monday.
2. Answer the comprehension questions from chapters 1-5 and the questions from chapters 6-12 that I will be uploading on Friday.
3. Be sure you understand completely the chapters you are reading and don´t forget to make notes while you are reading.
I hope you have fun during Semana Mechona and dont forget to be careful and resposible in the Mechoneo...
As some of you told me today in class, we wont have classes this Wednesday, thursday and friday because of Semana Mechona. So you will have to work on your on the following activities.
1. Read chapters 6-12 of The hunger Games by Monday.
2. Answer the comprehension questions from chapters 1-5 and the questions from chapters 6-12 that I will be uploading on Friday.
3. Be sure you understand completely the chapters you are reading and don´t forget to make notes while you are reading.
I hope you have fun during Semana Mechona and dont forget to be careful and resposible in the Mechoneo...
Happy Semana Mechona and May the Odds be ever in your favour...
Your Teacher,
Carolina Yancovic
Language 5: Comprehension Questions
After reading the chapters 1-5, answer the following questions:
1. Where does the novel take place?
2. What is the reaping? What does it consist of?
3. Who is the protagonist? what can you tell of her family story?
4. Why does the protagonist go to the woods? who does she encounter there? what is their relationship?
5. What are the Hunger Games?
6. What does the sacrifice of Katniss consist of?
7. What is the prior story that the Katniss share with Peeta? explain.
8. What happens to Katniss and Petta after the reaping? How is Katniss's encounter with her family?
9. How does Katniss get the pin? What is a Mockinjay?
10. Who is Haymitch? Why is he important for Peeta and Katniss?
11. Describe Peeta and Katniss's journey to the Capitol.
12. Who is Cinna? why is he important in the story?
13. Why is so important to make a good impression in the first parade? Are Peeta and Katniss successfull? why?
14. How is the relationship between Peeta and Katniss by the end of chapter 5? why?
Friday, 23 March 2012
Language 9 Some information about your readings
Hello Class,
Here I am uploading some extra information about the short stories you will be using for your paper. Make sure you do a serious and responsible investigation for your paper. For that reason, I am showing you where to start before you research on your topic.
It is important to take into consideration that before you choose your topic you need to fully understand the short story you chose, so I am helping you with that.
Feel free to leave comments.
Here some information on The nigh face up by Julio Cortazar:
New Yorker's article: http://www.newyorker.com/archive/1967/04/22/1967_04_22_049_TNY_CARDS_000286430
Latin American Studies:
https://sites.google.com/site/latinamericanstudies/the-night-face-up---julio-cortazar
Paper on Magical realism:
http://www.janushead.org/5-2/faris.pdf
Here some information on the Boarding house by James Joyce:
Article about The boarding house:
http://www.123helpme.com/view.asp?id=148942
The stigma of femininity:
http://findarticles.com/p/articles/mi_m2455/is_n4_v30/ai_14762709/
Paper:
http://www.google.cl/url?sa=t&rct=j&q=&esrc=s&source=web&cd=10&cts=1331236086137&sqi=2&ved=0CIIBEBYwCQ&url=http%3A%2F%2Fwww.literaryparitantra.com%2FEjournal%2FLiterature%2520%2520and%2520Theory%25206_Mohammad%2520Al-Hamdani.pdf&ei=dwxZT4ejLMnRiALymJHHCw&usg=AFQjCNHEkDIdeO0mdLU_PlgkC9qsG00ROA
Here I am uploading some extra information about the short stories you will be using for your paper. Make sure you do a serious and responsible investigation for your paper. For that reason, I am showing you where to start before you research on your topic.
It is important to take into consideration that before you choose your topic you need to fully understand the short story you chose, so I am helping you with that.
Feel free to leave comments.
Here some information on The nigh face up by Julio Cortazar:
New Yorker's article: http://www.newyorker.com/archive/1967/04/22/1967_04_22_049_TNY_CARDS_000286430
Latin American Studies:
https://sites.google.com/site/latinamericanstudies/the-night-face-up---julio-cortazar
Paper on Magical realism:
http://www.janushead.org/5-2/faris.pdf
Here some information on the Boarding house by James Joyce:
Article about The boarding house:
http://www.123helpme.com/view.asp?id=148942
The stigma of femininity:
http://findarticles.com/p/articles/mi_m2455/is_n4_v30/ai_14762709/
Paper:
http://www.google.cl/url?sa=t&rct=j&q=&esrc=s&source=web&cd=10&cts=1331236086137&sqi=2&ved=0CIIBEBYwCQ&url=http%3A%2F%2Fwww.literaryparitantra.com%2FEjournal%2FLiterature%2520%2520and%2520Theory%25206_Mohammad%2520Al-Hamdani.pdf&ei=dwxZT4ejLMnRiALymJHHCw&usg=AFQjCNHEkDIdeO0mdLU_PlgkC9qsG00ROA
Wednesday, 21 March 2012
Language 9 Readings
Option Two:

MRS.
MOONEY was a butcher's daughter. She was a woman who was quite able to keep
things to herself: a determined woman. She had married her father's foreman and
opened a butcher's shop near Spring Gardens. But as soon as his father-in-law
was dead Mr. Mooney began to go to the devil. He drank, plundered the till, ran
headlong into debt. It was no use making him take the pledge: he was sure to
break out again a few days after. By fighting his wife in the presence of
customers and by buying bad meat he ruined his business. One night he went for
his wife with the cleaver and she had to sleep a neighbour's house.
Polly was a slim girl of nineteen; she had light soft hair and a small full mouth. Her eyes, which were grey with a shade of green through them, had a habit of glancing upwards when she spoke with anyone, which made her look like a little perverse madonna. Mrs. Mooney had first sent her daughter to be a typist in a corn-factor's office but, as a disreputable sheriff's man used to come every other day to the office, asking to be allowed to say a word to his daughter, she had taken her daughter home again and set her to do housework. As Polly was very lively the intention was to give her the run of the young men. Besides young men like to feel that there is a young woman not very far away. Polly, of course, flirted with the young men but Mrs. Mooney, who was a shrewd judge, knew that the young men were only passing the time away: none of them meant business. Things went on so for a long time and Mrs. Mooney began to think of sending Polly back to typewriting when she noticed that something was going on between Polly and one of the young men. She watched the pair and kept her own counsel.
Polly knew that she was being watched, but still her mother's persistent silence could not be misunderstood. There had been no open complicity between mother and daughter, no open understanding but, though people in the house began to talk of the affair, still Mrs. Mooney did not intervene. Polly began to grow a little strange in her manner and the young man was evidently perturbed. At last, when she judged it to be the right moment, Mrs. Mooney intervened. She dealt with moral problems as a cleaver deals with meat: and in this case she had made up her mind.
It was a bright Sunday morning of early summer, promising heat, but with a fresh breeze blowing. All the windows of the boarding house were open and the lace curtains ballooned gently towards the street beneath the raised sashes. The belfry of George's Church sent out constant peals and worshippers, singly or in groups, traversed the little circus before the church, revealing their purpose by their self-contained demeanour no less than by the little volumes in their gloved hands. Breakfast was over in the boarding house and the table of the breakfast-room was covered with plates on which lay yellow streaks of eggs with morsels of bacon-fat and bacon-rind. Mrs. Mooney sat in the straw arm-chair and watched the servant Mary remove the breakfast things. She mad Mary collect the crusts and pieces of broken bread to help to make Tuesday's bread- pudding. When the table was cleared, the broken bread collected, the sugar and butter safe under lock and key, she began to reconstruct the interview which she had had the night before with Polly. Things were as she had suspected: she had been frank in her questions and Polly had been frank in her answers. Both had been somewhat awkward, of course. She had been made awkward by her not wishing to receive the news in too cavalier a fashion or to seem to have connived and Polly had been made awkward not merely because allusions of that kind always made her awkward but also because she did not wish it to be thought that in her wise innocence she had divined the intention behind her mother's tolerance.
Mrs. Mooney glanced instinctively at the little gilt clock on the mantelpiece as soon as she had become aware through her revery that the bells of George's Church had stopped ringing. It was seventeen minutes past eleven: she would have lots of time to have the matter out with Mr. Doran and then catch short twelve at Marlborough Street. She was sure she would win. To begin with she had all the weight of social opinion on her side: she was an outraged mother. She had allowed him to live beneath her roof, assuming that he was a man of honour and he had simply abused her hospitality. He was thirty-four or thirty-five years of age, so that youth could not be pleaded as his excuse; nor could ignorance be his excuse since he was a man who had seen something of the world. He had simply taken advantage of Polly's youth and inexperience: that was evident. The question was: What reparation would he make?
There must be reparation made in such case. It is all very well for the man: he can go his ways as if nothing had happened, having had his moment of pleasure, but the girl has to bear the brunt. Some mothers would be content to patch up such an affair for a sum of money; she had known cases of it. But she would not do so. For her only one reparation could make up for the loss of her daughter's honour: marriage.
She counted all her cards again before sending Mary up to Doran's room to say that she wished to speak with him. She felt sure she would win. He was a serious young man, not rakish or loud-voiced like the others. If it had been Mr. Sheridan or Mr. Meade or Bantam Lyons her task would have been much harder. She did not think he would face publicity. All the lodgers in the house knew something of the affair; details had been invented by some. Besides, he had been employed for thirteen years in a great Catholic wine-merchant's office and publicity would mean for him, perhaps, the loss of his job. Whereas if he agreed all might be well. She knew he had a good screw for one thing and she suspected he had a bit of stuff put by.
Nearly the half-hour! She stood up and surveyed herself in the pier-glass. The decisive expression of her great florid face satisfied her and she thought of some mothers she knew who could not get their daughters off their hands.
Mr. Doran was very anxious indeed this Sunday morning. He had made two attempts to shave but his hand had been so unsteady that he had been obliged to desist. Three days' reddish beard fringed his jaws and every two or three minutes a mist gathered on his glasses so that he had to take them off and polish them with his pocket-handkerchief. The recollection of his confession of the night before was a cause of acute pain to him; the priest had drawn out every ridiculous detail of the affair and in the end had so magnified his sin that he was almost thankful at being afforded a loophole of reparation. The harm was done. What could he do now but marry her or run away? He could not brazen it out. The affair would be sure to be talked of and his employer would be certain to hear of it. Dublin is such a small city: everyone knows everyone else's business. He felt his heart leap warmly in his throat as he heard in his excited imagination old Mr. Leonard calling out in his rasping voice: "Send Mr. Doran here, please."
All his long years of service gone for nothing! All his industry and diligence thrown away! As a young man he had sown his wild oats, of course; he had boasted of his free-thinking and denied the existence of God to his companions in public- houses. But that was all passed and done with... nearly. He still bought a copy of Reynolds's Newspaper every week but he attended to his religious duties and for nine-tenths of the year lived a regular life. He had money enough to settle down on; it was not that. But the family would look down on her. First of all there was her disreputable father and then her mother's boarding house was beginning to get a certain fame. He had a notion that he was being had. He could imagine his friends talking of the affair and laughing. She was a little vulgar; some times she said "I seen" and "If I had've known." But what would grammar matter if he really loved her? He could not make up his mind whether to like her or despise her for what she had done. Of course he had done it too. His instinct urged him to remain free, not to marry. Once you are married you are done for, it said.
While he was sitting helplessly on the side of the bed in shirt and trousers she tapped lightly at his door and entered. She told him all, that she had made a clean breast of it to her mother and that her mother would speak with him that morning. She cried and threw her arms round his neck, saying:
"O Bob! Bob! What am I to do? What am I to do at all?"
She would put an end to herself, she said.
He comforted her feebly, telling her not to cry, that it would be all right, never fear. He felt against his shirt the agitation of her bosom.
It was not altogether his fault that it had happened. He remembered well, with the curious patient memory of the celibate, the first casual caresses her dress, her breath, her fingers had given him. Then late one night as he was undressing for she had tapped at his door, timidly. She wanted to relight her candle at his for hers had been blown out by a gust. It was her bath night. She wore a loose open combing- jacket of printed flannel. Her white instep shone in the opening of her furry slippers and the blood glowed warmly behind her perfumed skin. From her hands and wrists too as she lit and steadied her candle a faint perfume arose.
On nights when he came in very late it was she who warmed up his dinner. He scarcely knew what he was eating feeling her beside him alone, at night, in the sleeping house. And her thoughtfulness! If the night was anyway cold or wet or windy there was sure to be a little tumbler of punch ready for him. Perhaps they could be happy together....
They used to go upstairs together on tiptoe, each with a candle, and on the third landing exchange reluctant goodnights. They used to kiss. He remembered well her eyes, the touch of her hand and his delirium....
But delirium passes. He echoed her phrase, applying it to himself: "What am I to do?" The instinct of the celibate warned him to hold back. But the sin was there; even his sense of honour told him that reparation must be made for such a sin.
While he was sitting with her on the side of the bed Mary came to the door and said that the missus wanted to see him in the parlour. He stood up to put on his coat and waistcoat, more helpless than ever. When he was dressed he went over to her to comfort her. It would be all right, never fear. He left her crying on the bed and moaning softly: "O my God!"
Going down the stairs his glasses became so dimmed with moisture that he had to take them off and polish them. He longed to ascend through the roof and fly away to another country where he would never hear again of his trouble, and yet a force pushed him downstairs step by step. The implacable faces of his employer and of the Madam stared upon his discomfiture. On the last flight of stairs he passed Jack Mooney who was coming up from the pantry nursing two bottles of Bass. They saluted coldly; and the lover's eyes rested for a second or two on a thick bulldog face and a pair of thick short arms. When he reached the foot of the staircase he glanced up and saw Jack regarding him from the door of the return-room.
Suddenly he remembered the night when one of the musichall artistes, a little blond Londoner, had made a rather free allusion to Polly. The reunion had been almost broken up on account of Jack's violence. Everyone tried to quiet him. The music-hall artiste, a little paler than usual, kept smiling and saying that there was no harm meant: but Jack kept shouting at him that if any fellow tried that sort of a game on with his sister he'd bloody well put his teeth down his throat, so he would.
Polly sat for a little time on the side of the bed, crying. Then she dried her eyes and went over to the looking-glass. She dipped the end of the towel in the water-jug and refreshed her eyes with the cool water. She looked at herself in profile and readjusted a hairpin above her ear. Then she went back to the bed again and sat at the foot. She regarded the pillows for a long time and the sight of them awakened in her mind secret, amiable memories. She rested the nape of her neck against the cool iron bed-rail and fell into a reverie. There was no longer any perturbation visible on her face.
She waited on patiently, almost cheerfully, without alarm. her memories gradually giving place to hopes and visions of the future. Her hopes and visions were so intricate that she no longer saw the white pillows on which her gaze was fixed or remembered that she was waiting for anything.
At last she heard her mother calling. She started to her feet and ran to the banisters.
"Polly! Polly!"
"Yes, mamma?"
"Come down, dear. Mr. Doran wants to speak to you."
Then she remembered what she had been waiting for.

The Boarding House
By James Joyce
After that they lived apart. She went to the priest and got a separation
from him with care of the children. She would give him neither money nor food
nor house-room; and so he was obliged to enlist himself as a sheriff's man. He
was a shabby stooped little drunkard with a white face and a white moustache
white eyebrows, pencilled above his little eyes, which were veined and raw; and
all day long he sat in the bailiff's room, waiting to be put on a job. Mrs.
Mooney, who had taken what remained of her money out of the butcher business
and set up a boarding house in Hardwicke Street, was a big imposing woman. Her
house had a floating population made up of tourists from Liverpool and the Isle
of Man and, occasionally, artistes from the music halls. Its resident
population was made up of clerks from the city. She governed the house
cunningly and firmly, knew when to give credit, when to be stern and when to
let things pass. All the resident young men spoke of her as The Madam.
Mrs. Mooney's young men paid fifteen shillings a week for board and lodgings (beer or stout at dinner excluded). They shared in common tastes and occupations and for this reason they were very chummy with one another. They discussed with one another the chances of favourites and outsiders. Jack Mooney, the Madam's son, who was clerk to a commission agent in Fleet Street, had the reputation of being a hard case. He was fond of using soldiers' obscenities: usually he came home in the small hours. When he met his friends he had always a good one to tell them and he was always sure to be on to a good thing-that is to say, a likely horse or a likely artiste. He was also handy with the mits and sang comic songs. On Sunday nights there would often be a reunion in Mrs. Mooney's front drawing-room. The music-hall artistes would oblige; and Sheridan played waltzes and polkas and vamped accompaniments. Polly Mooney, the Madam's daughter, would also sing. She sang:
I'm a ... naughty girl.
You needn't sham:
You know I am.
Mrs. Mooney's young men paid fifteen shillings a week for board and lodgings (beer or stout at dinner excluded). They shared in common tastes and occupations and for this reason they were very chummy with one another. They discussed with one another the chances of favourites and outsiders. Jack Mooney, the Madam's son, who was clerk to a commission agent in Fleet Street, had the reputation of being a hard case. He was fond of using soldiers' obscenities: usually he came home in the small hours. When he met his friends he had always a good one to tell them and he was always sure to be on to a good thing-that is to say, a likely horse or a likely artiste. He was also handy with the mits and sang comic songs. On Sunday nights there would often be a reunion in Mrs. Mooney's front drawing-room. The music-hall artistes would oblige; and Sheridan played waltzes and polkas and vamped accompaniments. Polly Mooney, the Madam's daughter, would also sing. She sang:
I'm a ... naughty girl.
You needn't sham:
You know I am.
Polly was a slim girl of nineteen; she had light soft hair and a small full mouth. Her eyes, which were grey with a shade of green through them, had a habit of glancing upwards when she spoke with anyone, which made her look like a little perverse madonna. Mrs. Mooney had first sent her daughter to be a typist in a corn-factor's office but, as a disreputable sheriff's man used to come every other day to the office, asking to be allowed to say a word to his daughter, she had taken her daughter home again and set her to do housework. As Polly was very lively the intention was to give her the run of the young men. Besides young men like to feel that there is a young woman not very far away. Polly, of course, flirted with the young men but Mrs. Mooney, who was a shrewd judge, knew that the young men were only passing the time away: none of them meant business. Things went on so for a long time and Mrs. Mooney began to think of sending Polly back to typewriting when she noticed that something was going on between Polly and one of the young men. She watched the pair and kept her own counsel.
Polly knew that she was being watched, but still her mother's persistent silence could not be misunderstood. There had been no open complicity between mother and daughter, no open understanding but, though people in the house began to talk of the affair, still Mrs. Mooney did not intervene. Polly began to grow a little strange in her manner and the young man was evidently perturbed. At last, when she judged it to be the right moment, Mrs. Mooney intervened. She dealt with moral problems as a cleaver deals with meat: and in this case she had made up her mind.
It was a bright Sunday morning of early summer, promising heat, but with a fresh breeze blowing. All the windows of the boarding house were open and the lace curtains ballooned gently towards the street beneath the raised sashes. The belfry of George's Church sent out constant peals and worshippers, singly or in groups, traversed the little circus before the church, revealing their purpose by their self-contained demeanour no less than by the little volumes in their gloved hands. Breakfast was over in the boarding house and the table of the breakfast-room was covered with plates on which lay yellow streaks of eggs with morsels of bacon-fat and bacon-rind. Mrs. Mooney sat in the straw arm-chair and watched the servant Mary remove the breakfast things. She mad Mary collect the crusts and pieces of broken bread to help to make Tuesday's bread- pudding. When the table was cleared, the broken bread collected, the sugar and butter safe under lock and key, she began to reconstruct the interview which she had had the night before with Polly. Things were as she had suspected: she had been frank in her questions and Polly had been frank in her answers. Both had been somewhat awkward, of course. She had been made awkward by her not wishing to receive the news in too cavalier a fashion or to seem to have connived and Polly had been made awkward not merely because allusions of that kind always made her awkward but also because she did not wish it to be thought that in her wise innocence she had divined the intention behind her mother's tolerance.
Mrs. Mooney glanced instinctively at the little gilt clock on the mantelpiece as soon as she had become aware through her revery that the bells of George's Church had stopped ringing. It was seventeen minutes past eleven: she would have lots of time to have the matter out with Mr. Doran and then catch short twelve at Marlborough Street. She was sure she would win. To begin with she had all the weight of social opinion on her side: she was an outraged mother. She had allowed him to live beneath her roof, assuming that he was a man of honour and he had simply abused her hospitality. He was thirty-four or thirty-five years of age, so that youth could not be pleaded as his excuse; nor could ignorance be his excuse since he was a man who had seen something of the world. He had simply taken advantage of Polly's youth and inexperience: that was evident. The question was: What reparation would he make?
There must be reparation made in such case. It is all very well for the man: he can go his ways as if nothing had happened, having had his moment of pleasure, but the girl has to bear the brunt. Some mothers would be content to patch up such an affair for a sum of money; she had known cases of it. But she would not do so. For her only one reparation could make up for the loss of her daughter's honour: marriage.
She counted all her cards again before sending Mary up to Doran's room to say that she wished to speak with him. She felt sure she would win. He was a serious young man, not rakish or loud-voiced like the others. If it had been Mr. Sheridan or Mr. Meade or Bantam Lyons her task would have been much harder. She did not think he would face publicity. All the lodgers in the house knew something of the affair; details had been invented by some. Besides, he had been employed for thirteen years in a great Catholic wine-merchant's office and publicity would mean for him, perhaps, the loss of his job. Whereas if he agreed all might be well. She knew he had a good screw for one thing and she suspected he had a bit of stuff put by.
Nearly the half-hour! She stood up and surveyed herself in the pier-glass. The decisive expression of her great florid face satisfied her and she thought of some mothers she knew who could not get their daughters off their hands.
Mr. Doran was very anxious indeed this Sunday morning. He had made two attempts to shave but his hand had been so unsteady that he had been obliged to desist. Three days' reddish beard fringed his jaws and every two or three minutes a mist gathered on his glasses so that he had to take them off and polish them with his pocket-handkerchief. The recollection of his confession of the night before was a cause of acute pain to him; the priest had drawn out every ridiculous detail of the affair and in the end had so magnified his sin that he was almost thankful at being afforded a loophole of reparation. The harm was done. What could he do now but marry her or run away? He could not brazen it out. The affair would be sure to be talked of and his employer would be certain to hear of it. Dublin is such a small city: everyone knows everyone else's business. He felt his heart leap warmly in his throat as he heard in his excited imagination old Mr. Leonard calling out in his rasping voice: "Send Mr. Doran here, please."
All his long years of service gone for nothing! All his industry and diligence thrown away! As a young man he had sown his wild oats, of course; he had boasted of his free-thinking and denied the existence of God to his companions in public- houses. But that was all passed and done with... nearly. He still bought a copy of Reynolds's Newspaper every week but he attended to his religious duties and for nine-tenths of the year lived a regular life. He had money enough to settle down on; it was not that. But the family would look down on her. First of all there was her disreputable father and then her mother's boarding house was beginning to get a certain fame. He had a notion that he was being had. He could imagine his friends talking of the affair and laughing. She was a little vulgar; some times she said "I seen" and "If I had've known." But what would grammar matter if he really loved her? He could not make up his mind whether to like her or despise her for what she had done. Of course he had done it too. His instinct urged him to remain free, not to marry. Once you are married you are done for, it said.
While he was sitting helplessly on the side of the bed in shirt and trousers she tapped lightly at his door and entered. She told him all, that she had made a clean breast of it to her mother and that her mother would speak with him that morning. She cried and threw her arms round his neck, saying:
"O Bob! Bob! What am I to do? What am I to do at all?"
She would put an end to herself, she said.
He comforted her feebly, telling her not to cry, that it would be all right, never fear. He felt against his shirt the agitation of her bosom.
It was not altogether his fault that it had happened. He remembered well, with the curious patient memory of the celibate, the first casual caresses her dress, her breath, her fingers had given him. Then late one night as he was undressing for she had tapped at his door, timidly. She wanted to relight her candle at his for hers had been blown out by a gust. It was her bath night. She wore a loose open combing- jacket of printed flannel. Her white instep shone in the opening of her furry slippers and the blood glowed warmly behind her perfumed skin. From her hands and wrists too as she lit and steadied her candle a faint perfume arose.
On nights when he came in very late it was she who warmed up his dinner. He scarcely knew what he was eating feeling her beside him alone, at night, in the sleeping house. And her thoughtfulness! If the night was anyway cold or wet or windy there was sure to be a little tumbler of punch ready for him. Perhaps they could be happy together....
They used to go upstairs together on tiptoe, each with a candle, and on the third landing exchange reluctant goodnights. They used to kiss. He remembered well her eyes, the touch of her hand and his delirium....
But delirium passes. He echoed her phrase, applying it to himself: "What am I to do?" The instinct of the celibate warned him to hold back. But the sin was there; even his sense of honour told him that reparation must be made for such a sin.
While he was sitting with her on the side of the bed Mary came to the door and said that the missus wanted to see him in the parlour. He stood up to put on his coat and waistcoat, more helpless than ever. When he was dressed he went over to her to comfort her. It would be all right, never fear. He left her crying on the bed and moaning softly: "O my God!"
Going down the stairs his glasses became so dimmed with moisture that he had to take them off and polish them. He longed to ascend through the roof and fly away to another country where he would never hear again of his trouble, and yet a force pushed him downstairs step by step. The implacable faces of his employer and of the Madam stared upon his discomfiture. On the last flight of stairs he passed Jack Mooney who was coming up from the pantry nursing two bottles of Bass. They saluted coldly; and the lover's eyes rested for a second or two on a thick bulldog face and a pair of thick short arms. When he reached the foot of the staircase he glanced up and saw Jack regarding him from the door of the return-room.
Suddenly he remembered the night when one of the musichall artistes, a little blond Londoner, had made a rather free allusion to Polly. The reunion had been almost broken up on account of Jack's violence. Everyone tried to quiet him. The music-hall artiste, a little paler than usual, kept smiling and saying that there was no harm meant: but Jack kept shouting at him that if any fellow tried that sort of a game on with his sister he'd bloody well put his teeth down his throat, so he would.
Polly sat for a little time on the side of the bed, crying. Then she dried her eyes and went over to the looking-glass. She dipped the end of the towel in the water-jug and refreshed her eyes with the cool water. She looked at herself in profile and readjusted a hairpin above her ear. Then she went back to the bed again and sat at the foot. She regarded the pillows for a long time and the sight of them awakened in her mind secret, amiable memories. She rested the nape of her neck against the cool iron bed-rail and fell into a reverie. There was no longer any perturbation visible on her face.
She waited on patiently, almost cheerfully, without alarm. her memories gradually giving place to hopes and visions of the future. Her hopes and visions were so intricate that she no longer saw the white pillows on which her gaze was fixed or remembered that she was waiting for anything.
At last she heard her mother calling. She started to her feet and ran to the banisters.
"Polly! Polly!"
"Yes, mamma?"
"Come down, dear. Mr. Doran wants to speak to you."
Then she remembered what she had been waiting for.
Language 9 Readings
Option One:
The Night
face up
Julio Cortázar
(Final del juego, 1956)
Halfway
down the long hotel vestibule, he thought that probably he was going to be
late, and hurried on into the street to get out his motorcycle from the corner
where the next-door superintendent let him keep it. On the jewelry store at the
corner he read that it was ten to nine; he had time to spare. The sun
filtered through the tall downtown buildings, and he--because for himself, for
just going along thinking, he did not have a name-he swung onto the machine,
savoring the idea of the ride. The motor whirred between his legs, and a cool
wind whipped his pants legs.
He
let the ministries zip past (the pink, the white), and a series of stores
on the main street, their windows flashing. Now he was beginning the most
pleasant part of the run, the real ride: a long street bordered with trees,
very little traffic, with spacious villas whose gardens rambled all the way
down to the sidewalks, which were barely indicated by low hedges. A bit
inattentive perhaps, but tooling along on the right side of the street, he allowed himself to be
carried away by the freshness, by the weightless
contraction of this hardly begun day. This involuntary relaxation, possibly,
kept him from preventing the accident. When he saw that the woman standing on the corner had rushed into the crosswalk
while he still had the green light, it was already somewhat too late for a
simple solution. He braked hard with foot and hand, wrenching himself to the
left; he heard the woman scream, and at the collision his vision went. It was
like falling asleep all at once. He came too abruptly. Four or five young men were getting him out from under the
cycle. He felt the taste of salt and blood, one knee hurt, and when they hoisted
him up he yelped, he couldn't bear the pressure on his right arm. Voices
which did not seem to belong to the faces hanging above him encouraged him
cheerfully with jokes and assurances. His single solace was to hear someone
else confirm that the lights
indeed had been in his favor. He asked about the woman, trying to keep down the
nausea which was edging up into his throat. While they carried him face up
to a nearby pharmacy, he learned that the cause of the accident had gotten only
a few scrapes on the legs. "Nah, you barely got her at all, but when
ya hit, the impact made the machine jump and flop on
its side . . ." Opinions,
recollections of other smashups, take it easy, work him in shoulders
first, there, that's fine, and someone in a dust coat giving him a swallow
of something soothing in the shadowy interior of the small local pharmacy.
Within five
minutes the police ambulance arrived, and they lifted him onto a cushioned
stretcher. It was a relief for him to be able to lie out flat.
Completely lucid, but realizing that he was suffering the effects of a terrible
shock, he gave his information to the officer riding in the ambulance with him.
The arm almost didn't hurt; blood dripped down from a cut over the eyebrow all
over his face. He licked his lips once or twice to drink it. He felt pretty
good, it had been an accident, tough luck; stay quiet a few weeks, nothing
worse. The guard said that the motorcycle didn't seem badly racked up.
"Why should it," he replied. "It all landed on top of me." They both laughed, and when
they got to the hospital, the guard shook his hand and wished him luck.
Now the nausea was coming back little by little; meanwhile they were
pushing him on a wheeled stretcher toward a pavilion further back, rolling
along under trees full of birds, he shut his eyes and wished he were asleep or
chloroformed. But they kept him for a good while in a room with that
hospital smell, filling out a form, getting his clothes off, and dressing him
in a stiff, greyish smock. They moved his arm carefully, it didn't hurt
him. The nurses were constantly making wise cracks, and if it hadn't been
for the stomach contractions he would have felt fine, almost happy.
They
got him over to X-ray, and twenty minutes later, with the still-damp negative
lying on his chest like a black tombstone, they pushed him into surgery.
Someone tall and thin in white came over and began to look at the x rays.
A woman's hands were arranging his head; he felt that they were
moving him from one stretcher to another. The man in white came over
to him again, smiling; something gleamed in his right hand.
He patted his cheek and made a sign to someone stationed behind.
It was unusual as a dream because it was
full of smells, and he never dreamt smells. First a marshy smell, there to the
left of the trail the swamps began already, the quaking bogs from which no one
ever returned. But the reek lifted, and instead there came a dark, fresh composite
fragrance, like the night under which he moved, in flight from the Aztecs. And
it was all so natural, he had to run from the Aztecs who had
set out on their manhunt, and his sole chance was to find a place to hide in
the deepest part of the forest, taking care not to lose the
narrow trail which only they, the Motecas, knew.
What
tormented him the most was the odor, as though, notwithstanding the absolute
acceptance of the dream, there was something which resisted that which was not
habitual, which until that point had not participated in the game.
"It smells of war," he thought, his hand going instinctively to
the stone knife which was tucked at an angle into his girdle of woven wool. An
unexpected sound made him crouch suddenly stock-still and shaking. To be
afraid was nothing strange; there was plenty of fear in his dreams. He
waited, covered by the branches of a shrub and the starless night.
Far off, probably on the other side of the big lake, they'd be
lighting the bivouac fires; that part of the sky had a reddish glare. The sound
was not repeated. It had been like a broken limb. Maybe an animal that,
like himself, was escaping from the smell of war. He stood erect slowly,
sniffing the air. Not a sound could be heard, but the fear was
still following, as was the smell, that cloying incense of the war of the blossom.
He had to press forward, to stay out of the bogs and get to the heart of the
forest. Groping uncertainly through the dark, stooping every other
moment to touch the packed earth of the trail, he took a few steps. He
would have liked to have broken into a run, but the gurgling fens lapped on
either side of him. On the path and in darkness, he took his bearings. Then he
caught a horrible blast of that foul smell he was most afraid of, and
leaped forward desperately.
"You're going to fall off the
bed," said the patient next to him. "Stop bouncing around, old
buddy." He opened his eyes and it was afternoon, the sun already
low in the oversized windows of the long ward. While trying to smile at
his neighbor, he detached himself almost physically from the final scene of the
nightmare. His arm, in a plaster cast, hung suspended from an apparatus
with weights and pulleys. He felt thirsty, as though he'd been running for
miles, but they didn't want to give him much water, barely enough to moisten
his lips and make a mouthful. The fever was winning slowly and he would
have been able to sleep again, but he was enjoying the pleasure of keeping
awake, eyes half-closed, listening to the other patients' conversation,
answering a question from time to time. He saw a little white pushcart come up
beside the bed, a blond nurse
Rubbed the front of his thigh with
alcohol and stuck him with a fat needle connected to a tube which ran up to a
bottle filled with a milky, opals cent liquid. A young intern arrived with
some metal and leather apparatus which he adjusted to fit onto the good arm to check
something or other. Night fell, and the fever went along dragging him down
softly to a state in which things seemed embossed as through opera glasses,
they were real and soft and, at the same time, vaguely distaste full; like
sitting in a boring movie and thinking that, well, still, it'd be
worse out in the street, and staying.
A cup of a marvelous
golden broth came, smelling of leeks, celery and parsley. A small
hunk of bread, more precious than a whole banquet, found itself crumbling little
by little. His arm hardly hurt him at all, and only in the eyebrow where
they'd taken stitches a quick, hot pain sizzled occasionally. When the big
windows across the way turned to smudges of dark blue, he thought it
would not be difficult for him to sleep. Still on his back so a little uncomfortable,
running his tongue out over his hot, too-dry lips, he tasted the broth
still, and with a sigh of bliss, he let himself drift off.
First
there was confusion, as of one drawing all his sensations, for that moment
blunted or muddled, into himself. He realized that he was running in pitch darkness,
although, above, the sky crises-crossed with treetops was less black than the
rest. "The trail," he thought, "I've gotten off the
trail." His feet sank into a bed of leaves and mud, and then
he couldn't take a step that the branches of shrubs did not whiplash
against his ribs and legs. Out of breath, knowing despite the darkness and
silence that he was surrounded, he crouched down to listen. Maybe the trail was
very near; with the first daylight he would be able to see it again.
Nothing now could help him to find it. The hand that had unconsciously
gripped the haft of the dagger climbed like a fen scorpion up to his neck
where the protecting amulet hung. Barely moving his lips, he mumbled
the supplication of the corn which brings about the beneficent moons, and
the prayer to Her Very Highness, to the distributor of all Motecan
possessions. At the same time he felt his ankles sinking deeper into the
mud, and the waiting in the darkness of the
obscure grove of live oak grew intolerable to him. The war of the blossom had
started at the beginning of the moon and had been going on for three
days and three nights now. If he managed to hide in the depths of the forest,
getting off the trail further up past the
Marsh country, perhaps the warriors
wouldn't follow his track. He thought of the many prisoners they'd already
taken. But the number didn't count, only the consecrated period. The hunt
would continue until the priests gave the sign to return. Everything
had its number and its limit, and it was within the sacred period,
and he on the other side from the hunters.
He heard the cries and leaped up, knife
in hand. As if the sky were a flame on the horizon, he saw torches moving
among the branches, very near him. The smell of war was unbearable, and
when the first enemy jumped
him, leaped at his throat, he felt an almost-pleasure in sinking the stone
blade flat to the haft into his chest the lights were already around him,
the happy cries. He managed to cut the air once or twice, then a rope snared
him from behind.
"It's the fever," the man in
the next bed said. "The same thing happened to me when they operated
on my duodenum. Take some water, you'll see, you'll sleep all
right." Laid next to the night from which he came back, the
tepid shadow of the ward seemed delicious to him. A violet lamp kept
watch high on the far wall like a guardian eye. You could hear
coughing, deep breathing, once in a while a conversation in whispers.
Everything was pleas ant and secure, without the chase, no . . . But he didn't
want to go on thinking about the nightmare. There were lots of things to
amuse himself with. He began to look at the cast on his arm, and the pulleys
that held it so com fort ably in the air. They'd left a bottle of mineral water
on the night table beside him. He put the neck of the bottle to his mouth and
drank it like a precious liqueur. He could now make out the different
shapes in the ward, the thirty beds, the closets with glass doors. He
guessed that his fever was down, his face felt cool. The cut over the eye brow
barely hurt at all, like are collection. He saw himself leaving the hotel
again, wheeling out the cycle. Who'd have thought that it would end like this?
He tried to fix the moment of the accident exactly, and it got him very
angry to notice that there was a void there, an emptiness he could not
manage to fill. Between the impact and the moment that they picked him up
off the pavement, the passing out or what went on, there was nothing he
could see. And at the same time he had the feeling that this void, this
nothingness, had lasted an eternity. No, not even time, more as if, in this
void, he had passed across something, or had run back immense distances. The
shock, the brutal dashing
against the pavement. Anyway, he had felt an immense relief incoming out of the
black pit while the people were lifting him off the ground. With pain in the
broken arm, blood from the split eyebrow, contusion on the knee; with all that,
a relief in returning to daylight, to the day, and to feel sustained and
attended. That was weird. Someday he'd ask the doctor at the office about
that. Now sleep began to take over again, to pull him slowly down. The pillow
was so soft, and the coolness of the mineral water in his fevered
throat. The violet light of the lamp up there was beginning to get dimmer and
dim mer.
As he was sleeping on his back,
the position in which he came to did not surprise him, but on the other
hand the damp smell, the smell of oozing rock, blocked his throat and
forced him to understand. Open the eyes and look in all directions,
hopeless. He was surrounded by an absolute darkness. Tried to get up and felt
ropes pinning his wrists and ankles. He was staked to the ground on a
floor of dank, icy stone slabs. The cold bit into his naked
back, his legs. Dully, he tried to touch the amulet with his chin and
found they had stripped him of it. Now he was lost, no prayer could
save him from the final.. . From afar off, as though filtering through the rock
of the dungeon, he heard the great kettledrums of the feast. They had
carried him to the temple, he was in the underground cells of Teo call i itself,
awaiting his turn.
He heard a yell, a hoarse yell that
rocked off the walls. Another yell, ending in a moan. It was he who was
screaming in the darkness, he was screaming because he was alive, his
whole body with that cry fended off what was coming, the inevitable end.
He thought of his friends filling up the other dungeons, and of those
already walking up the stairs of the sacrifice. He uttered another choked cry,
he could barely open his mouth, his jaws were twisted back as if with a rope and
a stick, and once in a while they would open slowly with an endless
exertion, as if they were made of rubber. The creaking of the wooden
latches jolted him like a whip. Rent, writhing, he fought to rid himself of the
cords sinking into his flesh. His right arm, the strongest, strained until
the pain became unbearable and he had to give up. He watched the double
door open, and the smell of the torches reached him before the light did.
Barely girdled by the ceremonial loincloths, the priests' acolytes moved
in his direction, looking at him with contempt. Lights reflected off the sweaty
torsos and off the black hair dressed with feathers. The cords went slack,
and in their place the grappling of hot hands, hard as bronze; he
felt himself lifted, still face up, and jerked along by the four acolytes who
carried him down the passageway. The torchbearers went ahead, indistinctly
lighting up the corridor with its dripping walls and a ceiling so low that
the acolytes had to duck their heads. Now they were taking him out,
taking him out, it was the end. Face up, under a mile of living rock
which, for a succession of moments, was lit up by a glimmer of torchlight.
When the stars came out up the rein stead of the roof and the great terraced
steps rose before him, on fire with cries and dances, it would be the end. The
passage was never going to end, but now it was beginning to end, he would
see suddenly the open sky full of stars, but not yet, they trundled him
along endlessly in the reddish shadow, hauling him roughly along and he
did not want that, but how to stop it if they had torn off the amulet, his
real heart, the life center.
In a single jump he came out into the
hospital night, to the high, gentle, bare ceiling, to the soft shadow wrapping
him round. He thought he must have cried out, but his neighbors were peacefully
snoring. The water in the bottle on the night table was somewhat bubbly, a
translucent shape against the dark azure shadow of the windows. He panted,
looking for some relief for his lungs, oblivion for those images still
glued to his eyelids. Each time he shut his eyes he saw them take shape
instantly, and he sat up, completely wrung out, but savoring at the
same time the surety that now he was awake, that the night nurse would
answer if he rang, that soon it would be daybreak, with the good, deep sleep he
usually had at that hour, no images, no nothing . . . It was
difficult to keep his eyes open, the drowsiness was more powerful than he. He
made one last effort, he sketched a gesture toward the bottle of water with his
good hand and did not manage to reach it, his fingers closed again on
a black emptiness, and the passageway went on endlessly, rock after
rock, with momentary ruddy flares, and face up he choked out a dull moan
because the roof was about to end, it rose, was opening like a mouth
of shadow, and the acolytes straightened up, and from on high a waning moon
fell on a face whose eyes wanted not to see it, were closing and opening
desperately, trying to pass to the other side, to find again the bare,
protecting ceiling of the ward. And every time they opened, it was night
and the moon, while they climbed the great terraced steps, his head
hanging down backward now, and up at the top were the bonfires, red columns of perfumed
smoke, and suddenly he saw the red stone, shiny with the blood dripping
off it, and the spinning arcs cut by the feet of the victim whom they
pulled off to throw him rolling down the north steps. With a last hope he
shut his lids tightly, moaning to wake up. For a second he thought
he had gotten there, because once more he was immobile in the bed, except
that his head was hanging down off it, swinging. But he smelled death, and when
he opened his eyes he saw the blood-soaked figure of the executioner-priest
coming toward him with the stone knife in his hand. He managed to close his
eyelids again, although he knew now he was not going to wake up, that he was
awake, that the marvelous dream had been the other, absurd as all dreams are-a dream
in which he was going through the strange avenues of an astonishing city, with
green and red lights that burned without fire or smoke, on an enormous
metal insect that whirred away between his legs. In the infinite he of the
dream, they had also picked him up off the ground, someone had
approached him also with a knife in his hand, approached him who was lying
face up, face up with his eyes closed between the bonfires on the steps.
Monday, 19 March 2012
Language 5: The hunger games
Here I'm leaving you the Website of the author of the Novel "The Hunger Games" so you can go and read a bit more about her work and the novel.
Also if you have spare time you can stop by and read the Biography of the author here:
Have a nice day and see you in class soon!
Your Teacher.
P.S feel free to leave comments.
P.S feel free to leave comments.
Friday, 2 March 2012
Welcome
Hello my dear students,
We are starting a new semester and year so I want to welcome you to Language 5 and Language 9. For my students of Language 9, I want to wish them a great senior year with all the success that you deserve.
In this new tool I am using this semester I expect you to come and use all the material I am going to be uploading for both classes. Each activity will be signaled by the respective name of the class. Also I will be uploading material for the written assignment that you will develop this semester.
Please feel free to leave comments in this blog.
I hope once again you have a wonderful year and participate in class with the same energy you did last year.
Your teacher,
Carolina Yancovic
We are starting a new semester and year so I want to welcome you to Language 5 and Language 9. For my students of Language 9, I want to wish them a great senior year with all the success that you deserve.
In this new tool I am using this semester I expect you to come and use all the material I am going to be uploading for both classes. Each activity will be signaled by the respective name of the class. Also I will be uploading material for the written assignment that you will develop this semester.
Please feel free to leave comments in this blog.
I hope once again you have a wonderful year and participate in class with the same energy you did last year.
Your teacher,
Carolina Yancovic
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